First Edition Version
Special Definitive Edition
First published back in June of 1988, US horror author Richard Laymon’s novel ‘Midnight’s Lair’ was originally published under the pseudonym Richard Kelly.
In August of 2020, Dark Regions Press released a Special Definitive Edition of the novel. This was the third and final one of Richard Laymon’s novels to be published by Dark Regions Press in this Special Definitive Edition format – the other two titles being ‘Night Show’ (1984), and ‘Funland’ (1989).
This Special Definitive Edition includes a number of bonus material (see details below), as well as five interior illustrations by Malcolm McClinton. The edition was published in a run of 500 signed & numbered hardcovers (with optional slipcase) and 26 deluxe signed & lettered traycased hardcovers.
DLS Synopsis:
Ever since Ely Mordock built the wall within the deep underground caves, the vast chambers now known as Mordock’s Cave have been a popular tourist attraction. Now, hourly tours take place within the huge natural caverns, with underground boat trips accessed by deep-running lifts that take the tourists down into the darkened depths of Mardock Cave.
Above ground a hotel is situated adjoining the entrance to the caves. Here guests can relax in the comfort of the hotel’s leisure facilities before embarking upon a tour into the main attraction. And Mordock’s Cave is not without its sightseer-friendly legends. The story of Elizabeth Mardock and her roaming ghost, trapped within the depths of the caves, only helps to bring in the paying customers.
For tour guide Darcy Raines, it’s just another boat trip on the underground lake deep within the Mardock Cave. But to her dismay, the owner’s fifteen-year-old son Kyle Mordock has joined the tour...again. Darcy knows that Kyle only comes on these tours to gawp at her. He’s a randy teenager who’s constantly on heat. But with his family owning the whole complex, it’s far from her place to say anything.
But when a fire breaks out in the hotel, the power fails to the whole complex and Darcy’s thirty-strong tourist group find themselves stuck down in the underground caves, without any lighting or power to the lifts to get them out. With no idea what is taking place above ground, or indeed how long they are likely to be stuck down in the caves, Darcy struggles to keep the group of scarred tourists calm as they wait in total darkness for the power to come back on.
As the hours go by, a plan is formulated to break their way through Ely’s wall, and hopefully outside to eventual rescue. But behind the age-old wall lies a terrible family secret. A secret that has been passed down from generation to generation within the Mardock family. It all comes back to the family trait for rape and murder. One which young Kyle Mordock has recently begun to embark upon thanks to his father and Room 115 in their hotel. A secret that comes down to a place to hide the bodies of those that they have used, abused and then killed. A secret that lurks deep within Mardock Cave, where the cruelties of the past still linger...
DLS Review:
Laymon kicks off the tale with a brief introduction to the principal characters before throwing them into immediate peril. From here we are subjected to an enveloping tension that escalates as the minutes become hours whilst Darcy’s group is stuck in the dark caverns of Mardock’s Cave.
With the principal plot now firmly set, Laymon begins to lay down a chilling backstory surrounding the Mardock family and their vile sexual deviancies. Laymon basks in the rampant sexual desires of Kyle Mardock before upping the ante with the young lad’s first real sexual experience that is handed to him by his equally perverted father. Or yes, the Mardock family traits extend to voyeurism, rape, torture and murder.
Once the Mardock family’s inherent cruelty is adequately laid down, Laymon shifts the whole thrust of the storyline into the more macabre. What started off as a character-driven disaster story quickly swerves towards a much more grotesque and horrifying scenario.
As with the vast majority of Laymon's novels, ‘Midnight's Lair’ involves two main storylines that run parallel to each other. In this case, one above ground with the parents and families desperate to rescue their loved ones, and those trapped down within the dark depths of the caves.
Much of the tale draws immediate similarities with Neil Marshall's claustrophobic horror flick ‘The Descent’ (2005). Obviously Laymon's novel predates the film but quite some way, but the similarities are incredibly stark. Furthermore, Laymon’s ‘trapped-underground-with-a-hideous-threat-on-your-heels’ storyline is certainly the more extreme and perverse of the two.
Furthermore, as the tale spirals into a pit of nightmarish horror, with these inbred cannibals creeping out of the shadowy caverns, it’s quite easy to draw additional comparisons to the author’s own novel ‘The Woods Are Dark’ (1981). Indeed, as with this earlier offering, once again we see Laymon weaving a whole history and backstory into these terrible beings, mapping out a horrific legacy from their original descendants.
Written with his usual fast-paced, action-packed, no-holds-barred approach to writing; the tale rushes onwards with a veritable wealth of horror, suspense, visceral gore and savage sexual undertones bursting from almost every chapter. There’s so much forceful energy in the tale that it’s nigh on impossible to put the book down at any point.
The plot as a whole builds incredibly well, with regular jumps back to past events that create a tightly-constructed and well-developed story. Laymon uses multiple subplots throughout the length of the tale, mostly revolving around individual characters that are amongst those trapped within the cave. Indeed the usual injection of a love interest between Darcy and one of those who she is trapped within the cave with simply fleshes out the characters that little bit more, adding to the thick tapestry of the tale.
With the storyline drawing to a conclusion, Laymon throws in some all-out blood-drenched splatterpunk that gives Shaun Hutson or even James Herbert a run for their money. The grand finale to ‘Midnight's Lair’ shows the bottomless depths to Laymon's dark and twisted imagination, with a horror threat that goes way beyond anything that the reader is likely to have ever anticipated coming.
The novel runs for a total of 257 pages (which includes five of Malcolm McClinton’s black and white illustrations).
US Author Bentley Little opens up this beautiful edition with a short foreword praising Laymon and his work. Little starts out mentioning ‘The Cellar’ (1980) and the no-holds-barred approach Laymon utilised from this very first novel and for every book after that.
After that Little provides a brief overview of the plot and characters within ‘Midnight’s Lair’, before wrapping up the foreword with discussing the uniqueness of how Laymon’s ‘Everyday Joe’ characters so often end up plundering the very darkest depths of human behaviour when faced with the extraordinary circumstances they’re presented with. And how it’s often this factor alone that pushes the books into the extremities of horror, and indeed, makes them such addictive and entertaining reads!
Afterword – Weston Ochse – 3 Pages
In his Afterword, US Author Weston Ochse takes us through his first meeting with Laymon and the subsequent brief friendship he had with him before he passed away. After this we’re given a brief but personal insight into Ochse’s experience of the two wakes that were held for Laymon – the unofficial one at his home in Santa Monica, and then the official one later on at Dark Delicacies in Burbank. Although only short, Ochse packs in plenty of insight into this Afterword, mostly derived from a very personal place. It’s a great Afterword and wonderful tribute to the late author.
Laymon On Laymon: Midnight’s Lair – 4 Pages
Here we have an extract from ‘A Writer’s Tale’ (1998) where Laymon tells us about where the inspiration came from for ‘Midnight’s Lair’ and the hit-and-miss reception it initially received. In this Laymon tells us about being inspired by a visit to the Howe Caverns in upstate New York, how the title came from Allan Edward DePrey’s ‘The Explorer’, and how he had trouble getting the novel published in the UK, but experienced no problems whatsoever in the UK. Although only a relatively brief snippet, it’s still an incredibly insightful write-up of a small segment of Laymon’s writing career.
Midnight’s Lair Timeline – 3 Pages
Here Laymon provides a high-level timeline style overview of the history of ‘Midnight’s Lair’, starting in August 1986 when they first visited the Howe Caverns, and ending in September 1993 with a book signing for the launch of the Zebra paperback release.
Story Notes – 36 Pages
For this final piece of bonus material, we have a Richard Laymon’s original notes for the development and writing of ‘Midnight’s Lair’. These notes span from, October 1986 to February 1987 and provide a remarkable insight into Laymon’s thoughts and writing process during the time he conceived and then wrote the novel. The text is a direct transcript of the author’s original notes, which has been split into twelve sections. Interestingly the contents pages for this detail a thirteenth section titled ‘Sketches of Mordock Caves’, however, this section isn’t actually present in this book.
All in all though this is a spectacular presentation of the novel, providing the reader with a wonderfully complete insight into the novel, its inspiration, the writing of it, and finally its reception. For a Laymon fan, these Special Definitive Editions are a real treat.
Including these bonus features, the Dark Regions Press ‘Special Definitive Edition’ of the book runs for a total of 319 pages.
© DLS Reviews
